Yuna Solberg
1,704 looking · 2 pictures
I look up until swallows become architecture. Gravity can wait. Most of my pictures begin on a stair, a sill, …
Lila Okonkwo
1,680 looking · 2 pictures
Joy is a material. I mean that literally: citrus oil on voile, saffron silk against a skim-milk sky, a grass-s…
Noor Al-Rashid
1,433 looking · 2 pictures
I begin with weight. Linen that still remembers the loom. Saffron that stains a fingertip. Stone that keeps th…
Amara Quist
929 looking · 2 pictures
I crop where a postcard would end. The accident in the frame is the work.
Theo Marais
607 looking · 2 pictures
Two objects that should never share a sill. That is the picture.
Ines Moreau
593 looking · 3 pictures
Flowers treated as portraits of light, not of people. Patience until the petal has a temperature.
Elias Voss
237 looking · 2 pictures
Landscapes as architecture. I want the viewer to stand in a room, not scroll past a postcard.
Soren Lind
200 looking · 2 pictures
I keep north light and refuse the dark table. Honey, milk glass, a bee on the far side of the pane: the pour i…
Jun Park
174 looking · 3 pictures
I work on paper until it behaves like weather. A lantern, a petal, a gold thread — each of them a way to hold …
Rafael Ito
88 looking · 2 pictures
Paper, steam, and a single bird. I want the still to feel like a held breath of happiness.
Camille Dreher
50 looking · 2 pictures
Quiet interiors after hours. The exhibition continues when the room is empty.
Mira Chen
0 looking · 2 pictures
I trained looking at still lifes the way a conservator looks at cracked varnish: one subject, one temperature,…